Ann Charisse James, headshot via Editor, 5:57:06 PM 12/8/2021

Ann Charisse James

Based in Bi-coastal. NYC/LA

She/They • Member Since 2021

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My Story

Ann C. James, has an extensive career in international stage direction and theatre education spanning over three decades. James recently made her debut as the first Black Intimacy Coordinator of Broadway for Antoinette Nwandu’s Pass Over. James is an expert in the burgeoning industry of intimacy direction and institutional consent culture for national arts organizations. In addition to her Broadway credit, she served as Intimacy Director and Sensitivity Specialist for the provocative Off-Broadway productions of Moises Kaufman’s Seven Deadly Sins by Tectonic Theatre Project and Seize the King produced by Classical Theatre of Harlem. On the West Coast, James provides consultation and intimacy coordination for the television and film industry most recently working with Rashida Jones, Mark Wahlberg, Issa Rae, Will Ferrell and Cynthia Enrivo. Her intimacy work has featured James as an expert voice for Theatre Communications Group, HowlRound, the Society of Stage Directors and Choreographers Foundation, and Lincoln Center’s Directors Lab West. Her company, Intimacy Coordinators of Color,has partnerships with ArtsEquity, TimesUp, and A.R.T./New York. James is in the second year of her studies as America's first MFA in Performance Pedagogy with an emphasis in Afrocentric Intimacy Pedagogy at Loyola Marymount University.

Sexual Orientation
iSexual orientation describes a person's enduring physical, romantic, and/or emotional attraction to another person.

Pan

Gender Identity
iOne’s internal, deeply held sense of gender. Some people identify completely with the gender they were assigned at birth (usually male or female), while others may identify with only a part of that gender, or not at all. Some people identify with another gender entirely. Unlike gender expression, gender identity is not visible to others.

Cis

Race/Ethnicity
iRacial identity is the qualitative meaning one ascribes to one’s racial group, whereas ethnic identity is a concept that refers to one’s sense of self as a member of an ethnic group. At their core, both constructs reflect an individual’s sense of self as a member of a group; however, racial identity integrates the impact of race and related factors, while ethnic identity is focused on ethnic and cultural factors. We celebrate our Keys’ intersectionality and understand that creating one’s racial/ethnic identity is a fluid and nonlinear process that varies for every person. Many folks will identify with more than one background while others will identify with a single group more broadly.

Black

Discipline

Stage Director, Intimacy Director

Unions & Affiliations

SDC

Website

https://anncjamesintimacy.com

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